Voices Of Harlem Rekindles The Power Of Renniasance-Age Poetry With Music By Jermaine Dupri

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“Mother To Son”, a poem by Langston Hughes, published in 1922, was performed in “Voices of Harlem,” a new art project from the Harlem Writers Guild. Set to music by Jermaine Dupri, it pays homage to the writing and to the voices of the Harlem Renaissance. Photo: Youtube

Poet Laureate Amanda Gorman recently rekindled the power and excitement of poetry when she became the youngest inaugural poet in U.S. history. Indeed, the intersection of mass communication and poetry has apparently been in full swing. Look no further than your own Instagram feed to be inspired by poetry every few seconds. There is now a new foray into this cultural space with a digital platform.

“Voices of Harlem” is a new art project that pays homage to the writing and voices of Harlem’s Renaissance era. Designed in partnership with the Harlem Writers Guild, cognac brand Rémy Martin and creative agency Fred & Farid New York, the contemporary poetry scene is booming.

The Harlem Writers Guild has selected curated poems by iconic African-American poets from the turn of the 20th century and brought them to life through the voices of some of today’s best-known Harlem poets. In this digital experience, available to anyone on YouTube, the voices of the poets are complemented by four different musical melodies created by the Grammy Award-winning producer. Jermaine Dupri. The intent of the series highlights the parallels between music and poetry, not only as a means of expression but also as a response to cultural challenges and triumphs as true today as when many of them were. written for the first time.

Curated by Charles Todd, the poems featured include:

Gift for singingBy James Weldon Johnson, published in 1917.

Mother to sonBy Langston Hughes, published in 1922.

Harlem WineBy Countee Cullen, published in 1925.

My little dreamsBy Georgia Douglas Johnson, published in 1925.

Although the poems are of diverse origins, the bottom line is the foundation of Harlem. The entire project can be viewed on its own YouTube platform and each of the four poems also has its own dedicated YouTube channel.

An iconic work of love for the Harlem Writers Guild, this project was essential for the organization. “It is important for us at the Harlem Writers Guild to reach out to the younger generations because we want to pass on this extraordinary and historic art form in a way that young people recognize and can develop using their own voices today.” said Diane Richards, executive director of the Harlem Writers Guild. “Teaming up with Rémy Martin on this project allows us to nurture the African-American literary heritage and inspire the voices of the future.

The Harlem Writers Guild is the oldest literary organization dedicated to black writers. For 70 years, it served as a forum to support African American writers. Although he creates and publishes publications of all genres reflecting the experiences of struggle, survival and success of the African-American and African diaspora, this is one of his first collaborations with Dupri, a member of the Songwriter. Hall of Fame.

“To me, poetry is a form of rap music because it allows you to express yourself at the highest level without limits,” Dupri said in a statement. “I am delighted that… I can use my form of personal expression through music to harness the power of these legendary words.”

Notable poets have a particular point of view on the project. For example, Marvin X is one of the driving forces behind the black arts movement which became a more radicalized version of the Harlem Renaissance as it was directly linked to the Black Power movement. Poet, playwright, essayist, educator, philosopher, producer, director, Marvin X has a deep first-hand experience in the roots of this project.

“These poems with the music of Jermaine Dupri lyrically connect us with the Harlem poets who paved the way for the groundbreaking poets of the black arts movement of the 1960s,” said Marvin X The moguldom nation. Langston’s “Mother to Son” was my favorite. “Harlem Wine” was awesome, especially with the choreography moving the action forward with the loud voice of the reading poet. “ Little Dreams ” appeared in the visual way of hip-hop rap, but spared us the gangsta rap with dreamlike poetry in the tradition of how I got the eggs of North American African literature, the great theme of survival that all these poems express. One winter day in Harlem, “Gift to Sing” sums up this poetic moment.

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Remy Martin said part of his tenure is a commitment to celebrating the best of communities and making a connection that the product’s floor is also important to its success. As the black community across the United States continues to be challenged on its “ground” through local environmental and climatic disparities, police brutality, and funding disparities for tech entrepreneurs, one can only hope and look forward to projects that also aim to create good, nurturing ground for all people of color in new ways that are also deeply measurable.

Lauren DeLisa Coleman is a Digi-Cultural Trend analyst and producer. She is the founder of http://lnkagency.com/ and Steam media, and a commentator on public sentiment and technology on MSNBC
Agency representation: Leading authorities. Author: “America’s Most Wanted: the Millennial” and Amazon, “Best: New Media Studies” choice: http://amzn.to/KmsuJ8
www.linkedin.com/in/LaurenDeLisaColeman





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